Tiffanie Turner is an artist and instructor in the art of paper flower making in the United States and beyond, and her first book, The Fine Art of Paper Flowers, was released on Ten Speed Press in August 2017. She is looking forward to her first solo exhibition with Eleanor Harwood Gallery at Minnesota Street Project in San Francisco in early 2019.
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TIFFANIE TURNER was born in Colonie, NY and raised in the woods of New Hampshire. She received her Bachelor of Architecture from Rensselaer Polytechnic Institute in 1995 and worked as an architect for over 15 years before beginning her career as a botanical sculptor. She received a Zellerbach Family Grant award in 2016 to support her work as the May 2016 artist-in residence at the de Young Museum located in San Francisco, where she has resided for over 20 years.
Turner has had solo exhibitions at the Kimball Gallery at the de Young Museum, Tower Hill Botanical Garden in Boylston, MA, and Rare Device in San Francisco. Recent group exhibitions include "Beyond the Bouquet" at Descanso Garden's Sturt Haaga Gallery in Southern California, "Flora" at the Cornell Art Museum in Delray Beach, FL, “Flower Power” at the Asian Art Museum in San Francisco, “Preternatural” at Jack Fischer Gallery in San Francisco, “Detritus” at San Jose Institute of Contemporary Art, and “Botanica” at Bedford Gallery in Walnut Creek, CA. She has been featured in the New York Times Book Review, Sunset Magazine, Vogue, American Craft, O Magazine, LAB magazine, and the San Francisco Chronicle, and been noted online by Vice Creator's Project, Architectural Digest, Colossal, Squarespace presents HI-FRUCTOSE, My Modern Met, Design*Sponge, Elie Saab, and The Jealous Curator, among others.
"Tiffanie Turner’s creations are exquisite. Her D.I.Y. instructions for handmade marigolds, roses, dianthus and daffodils are meticulous."
—New York Times
I am forever moved by the specimens found in nature, the dynamism of a flower on the stem and in the vase, changing with the season or by the day, here one month then gone for the next eleven. Through my work, teaching, and public residencies, I have learned that the familiarity and accessibility of flowers and plants allows an “easy in” for people, and when the viewer is not afraid of the subject matter, it opens up numerous conversations. Using the accessible nature of botany, I want to continue to have these dialogues to test the limits of our tolerance of fading beauty, of human vanity, human compassion and human caused destruction, and to tell stories of the state of our environment.
Top photo by Aya Brackett.
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